A piece just for you - commssioning work.

 

 

 Out and about and fairs and events I'm often asked about commissioning work, the options, the process the costs involved etc.
I've been very fortunate to have made work for some lovely occasions; weddings, Christenings, special birthdays and a house warming.
The wonderful  thing about butterflies is that to many people they have sentimental meaning and they can also be attached to specific locations. They are a symbol of the fragility of life, rebirth  and remembrance.

Any bespoke piece starts with a conversation about the intended recipient, do they have a favourite butterfly or is this to be location based ? I then start to research species and their specific habitats. Some customers want the butterflies to have this level of accuracy, others just love a particular butterfly.
There are lots of discussions at this stage, I may send you photos or sketches of ideas to choose from. With location specific commissions, where I mount butterflies on their map locations, I may need your postcode to find the appropriate vintage Ordnance Survey map.

 

I am happy to supply the butterflies framed or unframed. I can also offer a limited number of beautiful antique butterfly cases, these came originally from the Natural History Museum.

 Any size of piece is possible from a 25cm frame to 50cm and everywhere in between and beyond.

As well as vintage map backgrounds, butterflies can be mounted on original artwork. I always add an embroidered linen label with the species Latin name. There is an artist label on the reverse of the work which has an individual serial number.

So please do not hesitate if you have any ideas, I will be happy to start a conversation.
Prices start at £150.

They've Landed !

As you may know from my previous posts the greatest thing that has ever happened to me, creatively, happened this year. My work is for sale in Liberty of London. If you read my blog you will know that my love of all things Liberty began at the age of 7.

Well at the end of last month I finally got to see them in the 'flesh' or should that be fabric, in their new home. Lovely friends beat me to it and sent me pictures of them, but nothing could compare to the feeling of seeing them myself.

It started with this sign, proclaiming the new Haberdashery, its wonderful to see a department like this developing. I remember seeing the outrage on social media when John Lewis threatened that their habby would be going.

I felt like a child creeping downstairs on Christmas morning to unwrap their presents, except in reverse as I ascended the amazing wooden staircase towards the third floor. My heart was beating so fast and the emotion rising as I got nearer.

I walked through the door and there they were, sitting against a pale grey wall. It was so difficult to take it all in.

Inevitably, I burst into tears and my lovely hubby took a picture !

The haberdashery is glorious, with wonderful vintage tables displaying beautiful notions and materials. There are also work tables, the walls are lined with inspirational mood boards too.

I would highly recommend a visit, there is so much to see and I bet you won't be able to leave empty handed.

News and more news !

Hello everyone, well May was certainly a busy month with lots of exciting new opportunities.

Firstly, I am delighted to say that my work is now part of the beautiful website
https://madebyhandonline.com/

It is a celebration of everything handmade and you can easily lose an hour or too looking at the beautiful creations available. My butterflies are fluttering their way onto the site.

 

The team, headed by Katie, are just fabulous and you really feel their passion for hand made and supporting makers.
https://madebyhandonline.com/collections/heather-Everitt

A couple of weeks ago I had a phone call from the lovely Sarah James, of The Contemporary Craft Festival at Bovey Tracey, offering me a last minute place at the event. I had been on the reserve list, I had a little think and then realised I couldn't let this amazing opportunity go. So since then I've been stitching non-stop. I realised I'd got to a slight obsessional level when my husband said he wished he was a moth !
http://www.craftsatboveytracey.co.uk/

 

So that's all for now, my Bernina is calling !

Beautiful Boxes and Fauxdermy

I was looking for a way to display my butterflies that was a little bit different to usual framing. The vintage entomology displays in places like the Natural History Museum have always fascinated me, even though the rows and rows of impaled insects are rather unsettling. Obviously most of these collections were sourced in less enlightened days, when conservation wasn't on the radar. Today's specimens are, on the whole, from sustainable stock.
http://www.nhm.ac.uk/

Well mine definitely are, a new version of taxidermy; I've heard it called Fauxdermy or very creatively Craftydermy.

I began to look at specialist suppliers and found a great variety of options, though none of them quite fitted the bill. Then late one evening I decided to pop 'entomology boxes' into a search on a well known internet site and up came 'Antique Butterfly Drawers used at the Natural History Museum to house Rothschild collection of British Butterflies'. I was amazed and thrilled to find out that every so often the museum sells of some of its older display pieces, these were perfect.

My finger hovered over the quantity button and there were 25 available.

I bought the lot and was thrilled when they arrived. They have so much character, some have labels or handwritten notes on the drawer face. I cleaned the glass, so beautiful with tiny bubbles showing how old it is, and waxed the wooden edges and lid. They also have a distinctive smell of moth balls when you lift the lid, reminding me of my Gran's wardrobe.
They are perfect and set off my work beautifully, I add vintage maps depicting the habitat of the specimens and small stitched labels with their Latin name.

 

Here are some of the boxes on display at The Devon Guild of Craftsmen in Bovey Tracey.

The Rothschild collection has been partly digitised and is available to view here.

https://blog.nhm.ac.uk/tag/rothschild-cockayne-kettlewell-collection/

2016 what a year !

Well its nearly over and what a year it turned out to be, a real rollercoaster not to be too clichéd about it. I thought I'd take a few moments to reflect and look forward to 2017.

Here are my highlights.

I started teaching workshops for the fantastic Make at Monteray  http://www.make-at-monteray.co.uk/

This led to teaching a  taster workshop at The Contemporary Craft Festival at Bovey Tracey which was a great experience.

 

I signed up for business mentoring with the fabulous Creative Business Network

http://www.thecreativebusinessnetwork.com/

This helped me to organise my thoughts and push myself in a new direction. I also launched my newsletter. http://heatheremb.us13.list-manage.com/subscribe?u=bbc76023375996925144b6633&id=0b3efe2e31

I rethought my pricing structure and began to produce larger, more 3d work based on British butterflies.

 

I exhibited work at two new shows to me, Nourish Festival and later Wonderworks. Rethinking my products and display has been really worthwhile.

 

My husband and I had a fantastic, inspiring holiday to China and Japan. This was to celebrate a milestone birthday. In my personal life I took on a new role as a carer and had to learn to balance this with work. It's made me more determined to create as I now realise what a vital part of my life it is.

So thank you to everyone who supports me, by reading my blog, liking my posts, retweeting my tweets, buying my work and listening to my insecurities. Here's hoping for a kinder 2017.

Happy New Year !

I have brand, new workshops coming for 2017 including this one at Make at Monteray http://www.make-at-monteray.co.uk/events/craft-workshop/machine-applique-butterfly-cushion-with-heather-everitt.html

 

Balancing The Books !

I’ve been putting off writing this for quite a while; I’ve tidied my sock drawer, alphabetised the cd collection and written my Christmas cards, okay the last one is untrue but it gives you an idea of how difficult this is to write.

I have recently taken a step back from stitching and taken a close look at my ‘business’. You see I even find it problematic to call it that, but with the help of the wonderful  Creative Business Network I felt it was time to investigate my earnings and try and separate my love of creating from the need to pay bills.

Embroidery is everything to me, the creative process feeds my soul and without it I feel unfulfilled. But there is something about this creativity lark that seems to make me want to apologise for trying to make a living and worse still undervalue what I do. Guiding me through the process of unpicking costings, Helen at The Creative Business Network was a fresh pair of eyes who ultimately helped me to work out my bottom line. I had a few shocks along the way, perhaps the greatest being that I was paying myself about £3 an hour for some of my pieces.

Why do we find it so difficult to ask for our worth? Why the lack of confidence in our work? I’m sure not everyone has this but I know a lot of my creative friends do. This idea that someone will accuse us of not being worth it, tap us on the shoulder and call us a fake? It’s even got a name ‘imposter syndrome’.  I’ve had a few incidents that have exposed this raw nerve; once at a craft event when an incredulous woman asked me three times how much something was and then brought her family and friends back to my pitch to once again express her astonishment at the ‘huge ‘price tag. It was a brooch for £20 that took me over 2 hours to make. I didn’t respond I just stood there and smiled.

 

 

It’s funny isn’t it that those events stay so vivid in the mind whereas all the lovely things that are said get filed away.

So what I am trying to say is I am going to adjust my prices not because I want that holiday in the Maldives or that 3^rd luxury yacht but because I’m worth it. I trained for 5 years at Art College and university, I have practised my art and my heart and soul goes into what I do. I am working on confidence and being able to say I’m proud of my work and I’m good at what I do.

I also have incredibly tidy drawers!

The price increase will come into effect on the 1^st September, but I will continue to make items to suit a range of pockets.

http://www.thecreativebusinessnetwork.com/

Sign up to my newsletter for details of special pieces and offers.

http://heatheremb.us13.list-manage.com/subscribe?u=bbc76023375996925144b6633&id=0b3efe2e31

 

 

A Butterfly fit for a Queen ?

As you may know I live in a small village on the edge of Exmoor. To celebrate the Queen's 90th birthday it was decided to put on an art exhibition inspired by Her Majesty. I'm not really into portraits or landscapes but I suddenly had a brainwave.
It was mainly thanks to Women's' Hour, a regular companion, that I found out about an amazing lady called Maria Merian. She was an entomologist and artist who travelled from her home in Germany to Suriname in 1699, whilst in South America she studied the native plants and animals. She was one of the first scientists to understand the transformation of caterpillar into butterfly.

Her work was later published in a volume called Metamorphosis Insectorum Suriname. Her original drawings were acquired by George the 3rd and now form part of the Royal Collection. They are currently on display at The Queen's Gallery, Buckingham Palace. So there's my Royal connection.

I choose the Blue Morpho, using Maria's drawing as inspiration, the first stage was to draw a simplified pattern.

This was then cut out in layers of silk and the raw edges bound with satin stitch. I layered black and white silk and cut through the layers to create the markings on the wing edge.

Next the whole butterfly was covered in a layer of shot organza and the veins on the wings were outlined in free motion embroidery.

I then cut sections away and stitched in a contrasting colour.

I added another layer of organza to achieve real depth in the wings, with lots of free motion embroidery in a variety of coloured threads.

The final stage was hand beading to represent the way light reflects on the iridescent wings.

And here we have the finished piece all ready to show over the weekend. I hope Her Majesty approves!

Hatching a Peacock Butterfly.

All new pieces begin with inspiration, a photograph or a suggestion from a lovely customer. This one began with a determination to create more British butterflies, one of my favourites is the Peacock or Inachis io.
So after initial sketches I make an outline drawing the actual size of the finished piece. This was to be one of my biggest ever, with a wingspan of just over 25cm.

 

I then break down the main areas of colour and decide on the silks I will use. The areas are then traced and cut out, using Bondaweb I fuse the separate pieces together.

 The next stage is to stitch over all the raw edges with satin stitch, a close zig zag.

Next to add more colour I place over a layer of shot organza, I love this fabric as you can different effects when you move it in the light. Great to suggest the iridescence of butterfly wings.
I stitch in the main vein structures of the wings and enclose areas where I am going to cut out the organza. This is called reverse applique.

 The darker areas are where the organza remains.

I then start to suggest the subtle qualities of the wing colour with free motion embroidery. This one has three different stages in the stitching.

Finally I start to add micro sequins and beads, these catch the light and shimmer beautifully. I also add hemp sting antennae, these have been painted to suggest a variation in colour.

I then add a ring to the back so he can flutter beautifully up your wall or perch on a picture frame.
Available in my Etsy store very soon  https://www.etsy.com/uk/shop/Heatheremb?ref=hdr

Hats off to 2016 !

Happy New Year everyone.
I love hats and always have, as a little girl I would enjoy dressing up in my Granny's collection. My passion for vintage fashion began at university and I longed to wear a 1920's cloche hat. Unfortunately, I have a huge head, hat size seven and three quarters( I blame my Dad) so these beautiful creations just wouldn't fit me. I collected a variety of styles made from felt, straw and velvet, dating from the 1900's to the 50's and not one would go near my enormous bonce !
The answer came to me with the fashion in the late 80's for soft fabric headgear, I would make my own. I drafted my own patterns and when I had perfected the fit I made them in corduroy, tweed, cotton and linen. As an extra touch many of them had appliqued and embroidered details.
They started out just being for me and then friends asked if they could have one, eventually I ended up making them commercially. Every Saturday I had a stall at the Royal Exchange Theatre in Manchester, this was brilliant until the IRA put a stop to proceedings with a terrible bomb that ripped the heart out of the city centre.
So many years have passed, my passion for hats is undiminished, I started making hair adornments featuring my butterfly 'hatchlings' about 4 years ago.

 A hatchling hair adornment.

 

These are still popular for ladies who shy away for a complete hat.

A couple of years ago I noticed the work of milliner Karen Geraghty, on Face Book, her business name is Mind Your Bonce. Her hats are so beautiful and combine references to vintage fashion with wonderfully, witty touches. We started conversing and this led to a collaboration on a couple of autumn/winter hats. One featured a tweedy moth and the other a wool Monarch butterfly.

https://www.etsy.com/uk/listing/155001051/cocktail-hat-womens-vintage-style-olive?ref=shop_home_active_22

 

Later we created two spring/summer hats featuring a dragonfly and a silk butterfly.

The really lovely thing was meeting Karen and her husband in the queue at last year's Liberty Open Call.

Finally this December I had a lovely commission to create a cocktail hat for a Christmas wedding. The customer sent me details of her outfit and I knew she had a love of butterflies, so once again with the help of Karen, the Monarch hat was born.

My passion for hats continues and who knows where it will take me next; the best thing is that the cocktail hat design fits anyone even big heads !
https://www.etsy.com/uk/shop/MindYourBonce?ref=l2-shopheader-name